Press Handstand Drill submitted by Ashley Lamborn from Don and Terry’s Gymnastics in Myrtle Beach.
Have a drill you ant to share? Send it to Gym Momentum!
Podcast: Play in new window | Download
Press Handstand Drill submitted by Ashley Lamborn from Don and Terry’s Gymnastics in Myrtle Beach.
Have a drill you ant to share? Send it to Gym Momentum!
Podcast: Play in new window | Download
In Developing A Plan For Bars I wrote about the importance of having a plan to teach skills in the right order. There are few skills that are more important (or more deducted) than the Cast Handstand.
I had a coach ask me, “is there a way to teach cast handstands WITHOUT spotting?” In short. NO. Or at least not that I have found.
I am not a proponent of mindlessly spotting casts over and over and HOPING that a gymnast can figure it out. Like everything, you need a plan.
Reasons for spotting:
MUSCLE MEMORY through repetition of the correct BODY POSITION
Alleviate Fear. Most have hear of falling over. That is why in the process I teach a 1/2 pirouette. They will know what their body has to do if/when they fall over. I also make sure I spot cast handstands on the high bar as well.
Cast Handstand Progression
Handstand Shape.
Strength Exercises
Spotted Exercises
Here are a few of the drills I use that do not need spot. I do believe you need to monitor everything to ensure correct body positions.
Some Spotted Drills
Straddle Cast Handstand Drills
I am sure I will be adding to this.
Send me YOUR IDEAS!
Problems with Linear Gymnastics
All too often coaches get stuck in a linear thought process with the gymnasts.
Level 3, then Level 4, 5 etc.
Reality is that with this system- you will run out of time.
It has been noted by coaches much smarter than me that you need to introduce every skill a gymnast is going to have by they time they are 13 if they are realistically going to get the skills into a routine.
Take any advanced skill. For example a double back on floor. Although the skill is quite common these days, the technical demands are essentially the same as when it was first competed and thought to be too dangerous! What we have now is smarter coaches, more training devices, springier floors and softer landings.
If you first introduce a double back to a child at 13 years old (meaning the gymnast has NEVER flipped over twice anywhere) you will have approximately a year of drill work where they are being heavily spotted, tumbling up to mats, a lot of time on trampoline, many turns into foam pits before they are able to consistently do this skill alone. This time could certainly be MUCH, MUCH longer depending on the amount of time that can be spent tumbling, how much time spent on current skills and routines. Time loss due to injury or illness.
Now at 14 the gymnast is able to perform a double back alone.
At 14.5 years she may have the skill in her routine although it is possibly still inconsistent.
14.5 is also the age where many gymnasts experience an increased workload in school and will therefore be missing more training sessions.
Also take into account that between the ages of 11 and 14 females experience (on average) the most rapid period of growth. Through adolescence the increased mass a female gymnast adds can also slow things down.
15 years (Prime college recruitment age) a gymnast now has the skill (hopefully) consistently.
You can see the pitfalls of delaying the learning process by not introducing the skill at a young enough age. The gymnast will simply run out of time to have the skill in a routine.
Taking this back into the USAG compulsory program. The average age of the Level 3’s in most gyms is 8 years old.
If they do 1 level per year
Level 4 – 9
Level 5 – 10
Level 6 – 11
Level 7 – 12
Level 8 – 13
Level 9 – 14
Level 10- 15
You are simply going to run out of time. How can you take the USAG system and use it to the benefit of most gymnasts and certainly for the more talented gymnasts?
In order for us, as gymnastics professionals, to become more efficient, we need to understand growth and development of the gymnasts we work with.
Children are not just smaller versions of adults. They have very particular needs and capabilities. One of the major issues in gymnastics is a lack of knowledge on the part of coaches and parents about how children grow and develop. This ignorance places unrealistic expectations on the child and often causes them to give up the sport. Good coaches know and understand the many changes that take place from child to adult and structure their coaching to best suit the needs of the young athlete.
Some general rules:
● Think about growth stages rather than ages. Kids develop at different times.
● Think how changes in physical proportions will affect performance with certain skills
● Encourage skill learning at a younger age for all your athletes, late developers could be very successful later.
● Don’t use exercises which place excessive force on bone growth regions during periods of maximum growth (growth spurts)
Given the formula which many clubs use, you can see that we have set out unrealistic expectation on a great many of out gymnasts.
A more realistic timeline for long term development would have the gymnasts being introduced to most of their skills by the age of 13.
My reasoning is that developmentally it seems the best time to learn. They generally have not hit their growth spurt where you may end up having to scrap some skills that are no longer practical. They do not have a huge amount of school work and have the least amount of FEAR.
When ever I do a congress I always hear about this great 10 year old back in the gym. This gymnast is learning so fast she is going to be the next Olympic Champion. Then what happens? They grow, become afraid, have too much school work to train enough hours to finish the skills. My experience has shown me that you simply do not have enough time to introduce a skill , refine the skill and compete the skill after 13.5 years old.
In order to have program wide success you need to have a plan. A plan for each group and each individual. If you are doing 1 level per year. You are simply going to run out of time.
Questions to ask yourself-
What age will this group start competing?
Will they be skipping a level or at some point do 2 levels in 1 year?
What did I learn from the LAST GROUP that I will do differently?
What will I do the same?
What competitions do we NEED to be at (Large invitationals to see how you stand up on a Regional or National level)?
Should we get involved in USAG Developmental Camps or TOPs?
Are we looking at collegiate gymnastics or potential National Team?
What skills will these gymnasts need in 3 years?
In 5 years?
In 8 years?
With every group you need a plan. Ask these questions so that you have direction.
Your seasons training plan
By the time you get this, your gymnasts will be back in school. Some of your lower levels may already be preparing for their first competition. It’s going to be a long seasons and you need be be prepared. You know all the basics. You know about about how many routines you would like them to do each week. You have your conditioning plan.
BUT WHAT ELSE DO YOU NEED TO PUT INTO YOUR PLAN?
Start with the basics and never stray far from the basics.
No matter how many routines you need to do, hit basics every day.
Don’t try to replicate the stress of the sport in training, instead prepare for the stress of the sport.
Gymnastics takes a toll on the body and the mind. If everyday you go in and beat up the body and the mind, how long do you think the gymnasts are going to last?
Have a plan, execute it and constantly evaluate the plan.
Even the BEST plan needs to be tweaked as the season goes on. Have some TEST events. Pick a competition and a goal. evaluate your plan, tweak what is necessary and move on to the next test.
Coach the person not the athlete.
Each gymnast you work with is going to be a little different. You are coaching gymnasts, not robots. Along the same line, it doesn’t matter if a 10 year old is a level 5 or a level 10. What matters is that they are a 10 year old! Coach their age, not their level!
Teach skills not drills.
When you break down a skill into its smaller parts make sure YOU and the gymnast know each part. Make sure the gymnasts know what skills the drills are for.
Build on strengths and minimize weaknesses. (Favorite quote from Dr. George, “Take your worst event, make it your best, then take your worst event, make IT your best…”)
Train fast to be fast. You are what you train to be.
Adaptation is not just about time; it is the timing of the appropriate training stimulus to achieve the desired training response.
You compete the way you train. Understand the demands of the sport and train to exceed those demands.
Don’t try to replicate competitions in training, distort it.
Never allow equipment or facilities to dictate your training.
As you are coming up with YOUR Plan, here are some thoughts that make a difference.
– It’s not good enough to just show up you must be there in mind, body and spirit. Be PRESENT.
– Just talking about commitment is not enough; be committed through your actions.
– This year, try to Communicate by listening more and talking less.
– Take responsibility and use it to grow and expand your abilities.No excuses.
– Failure and adversity represent an opportunity to grow and learn. Failure is a prerequisite to success.
– Define yourself constantly don’t let others define you.
You want to really be the best? Don’t just Be the first there and the last to leave. Make the most of every minute.
Good luck with your season
Tony
My friend Arun Kumar Jayan (ALL THE WAY FROM INDIA!) shares another drill. This time for basic body shaping for back layout position.
This was pretty good.
Balancing Art & Science in Coaching
I am fascinated by science. The empirical nature of the scientific method has an innate appeal. (This may be a big surprise to my high school science teachers! Let’s just say- this love came later in my life.) It allows us to study and explore the deepest dimensions of our being and our existence in the world. That being said at the end of the day I try to be a practitioner. My job as a coach is produce results, to apply the science to the best of my ability by transferring it into practice (and practices). The nature of this leans heavily on the art that is based on practice-based evidence. You can learn the SCIENCE but you have to practice the ART to get better at it. Maintaining a healthy balance between art and science is essential to progress as a coach.
In the words of Winston Churchill at the end of the day to get results “Science should be on tap, not on top.”
I firmly maintain that for the gymnastics team to produce repeatable excellence that the coach must drive the bus but if the coach does not know the science then he will driving the bus without a map or a GPS. You might get there but who knows when and how? And will you ever make it there again? Science can help provide needed direction and purpose.
The Art of Coaching
If you give two people the same number of guitar lessons with the same teacher and the same content, you will not produce two guitar players who are the same, or even at the same proficiency level. One of the students will get better more quickly because there is an art to music. There is innate talent. There are anthropomorphic advantages as well.
The same can be said for coach and leadership skills. ART is intuitive, SKILL is mechanical. ART is something innate that is nurtured, SKILL is something learned that is developed. SKILL is the execution of a theory while ART is the execution of a theory using instinctive and intrinsic traits causing a positive result.
In gymnastics coaching, skill would be designing a training time with gymnasts that involves techniques and theories you have learned and then executing that plan in the actual session. The art would be in communicating the plan to the gymnasts and helping the client absorb, believe, and see the value of what you have designed.
Coach and Leadership Science and Art
Combining the science of coaching with the art of coaching is what makes a truly phenomenal coach. Just as most anyone could learn to play a guitar and even be proficient enough to play in a band if they worked diligently enough, not everyone would become a guitar virtuoso. There are countless numbers of three-chord teenage garage band guitarists, but very few who play with the innate and interpretive ability of Jimi Hendrix, Eric Clapton, or B.B. King.
Though the ultimate goal the USA Gymnastics University or other federations coaching programs and schools is to not create or discover the next Jimi Hendrix, it is to create the best coach by combining the art and science of coaching. This is done by developing the innate and intuitive talents of each student and then providing them with the tools of the trade. Likewise, leadership programs seek to nurture the innate ability of each individual to become a leader and merge this with powerful leadership techniques and skills.
For Back (Also great for Leg Drive for Vault) [Read more…]
I am always amazed by the creativity of gymnastics coaches. Rebecca Sykes from Salto Gymnastics in Edmonton sent me a good video of a drill she started doing in her morning training.
[Read more…]
In all my years of coaching I have never heard a coach say that the problem was TOO MUCH practice time. Everyone complains about not having enough time in the gym. Wishing they could get the gymnasts there earlier, stay later, didn’t miss practices due to illness or school functions.
In the end, too many coaches waste a great deal of time by not having a plan as they approach practice. Many also do things within practice that undermines their overall goal of athlete development.
I was thinking about this when I stumbled across Functional Path Training Blog. I have used a series of his blogs as an outline.
The key to getting better is practice. Up to a point when an athlete is beginning their career virtually anything they do will make them better, in fact the more they do the better they get. Then there comes a point when practice must be guided and have a specific purpose. The mantra the practice makes perfect is passé. We know that PRACTICE MAKES PERMANENT. Therefore how you practice is extremely important
The first consideration in effective practice is consistency. A set routine is the basis for consistent practice. Great athletes and great teams have set routines for training that do not vary. In fact with individual athletes training routines sometimes border on ritual. Routine allows the athlete to focus on the task at hand. There is security in having a routine. Your gymnasts know what to expect. It gives an anchor point to build the training session upon. Start on time, have specific objectives and stay on task, then practice will be meaningful. The best gymnasts I worked with were the ones most consistent in workout and competitions. You did not need a watch to tell what time it was, when they showed up to training it was 2:30 PM for afternoon workouts! They came in went to the same spot on the floor and did their own stretching until it was time for our organized warm up. We did the same warm-up, and it hardly ever varied. It did not matter if it was hot or cold we did the same thing. When we went to competitions we followed the same routine. There is a powerful message here, find a routine that works and live by it. As coaches we need to set routines for our athletes, we need to teach young developing athletes the necessity of routine as part of their daily preparation. When I change training cycles my first objective is always routine. As training cycles change routines sometimes have to change, so having it as an up front object underscores it’s importance.
Repetition is the mother of learning. We are what we repeatedly do. I doubt anyone would argue with those points. The task then becomes to carefully choose what we repeat. It is necessary to have a clear idea of the technical model you wish to achieve and a plan to achieve the desired technique. We know that practice makes permanent so repeating incorrect or flawed movements will ingrain the faults. It is very important to fit the technique to the person not the person to the technique. Certainly more is not better. Quality is the goal and quality is a measure of perfect. Therefore the ultimate goal of repetition in training is mastery. To achieve mastery demands progression, from easy to hard and simple to complex.
Refinement is fine tuning the practice after the basic technical model has been mastered. Often we are in a hurry and try to do this too early in the process and the whole technical model erodes. Refinement does not have to pertain to just technique or skill it also can refer to development of physical qualities. Keep in mind that every group you have will be slightly different and every gymnast will have their own needs. Start with the BIG PICTURE then refine as they get older. Simply – refinement follows repetition in the development of the athlete.
Here are two of my favorites: “Let’s go – take 10 laps around the floor and then we will get started with training.” “If you miss this flight series then you will have to climb the rope.” Think about it, you see this all the time at all levels of our sport, talk about a practice killer! Practice time is precious; it is a daily opportunity to improve skill, tactics and sport specific fitness, and wasting time slogging laps to “warm-up” or extra rope for punishment does not optimize the opportunity to improve. It does nothing to make the athlete better and a lot to make them tired and diminish motivation. Be creative how you start practice what you do to start practice sets the tempo for the practice. Start with a brief explanation of the days practice and then do something that is meaningful and mindful to get them into the practice. The same with mindless stretching for a cooldown, do something that will set-up tomorrows training session. Make what you do meaningful and motivational; every step of practice should be directed to making the athlete better.
I understand that everything in the gym should have consequences and sometimes those consequences will have a physical nature to them. BUT make them specific. – If you hit your feet on floor after a clear hip circle, You need to go and do 3 back extension rolls to push up holding the correct position.
Starting practice with a long lecture is a surefire way to ruin the training session. Coaches are good at talking and love to talk, but the start of practice is not the time and place. Recognize that the athletes are there to train, not to listen to a lecture. My rule of thumb is no more that 2 minutes of talking that consists of very specific instructions pertaining to the training session. We know how long we can hold someone’s attention – not long – so use that knowledge. Make it short, sharp filled with action words that are directed to the desired actions during the training session. It should be information rich and positive. If you don’t know what to say then don’t say anything. Think of it this way: Know your point, make your point, stay on point and summarize with a clear call to action based on the points of emphasis. Coaches like to talk, that does mean you should.
Some of the best advice I got early in my career was to remember that we have two eyes, two ears and one mouth for a reason. Watch and listen more and talk less.
Have an idea you want to share? Keep the momentum going! Share your thoughts and ideas